Indie Fest Reactions

Well, the screening for Indie Fest USA is over. We didn't get the turnout we were hoping for due to a lack of publicity by the festival's organizers, but it was great to have our movie play on the big screen at an AMC theater. Those that did come seemed to enjoy the screening and had some nice comments afterwards.

One of the attendees at the screening is a Film columnist for OCWeekly.com. In his blog post about the first day of the festival, he had a nice write-up of Yellow Lights, the relevant sections of which are reposted below. The full article can be found here.

From OCWeekly.com:   "Two features came next. The first, YELLOW LIGHTS, was a truly pleasant surprise. A college movie made by college students on their weekends off for approximately $500, it belongs in a class with Tom Huang’s 1999 feature FRESHMEN (full disclosure – I did the DVD commentary for that movie with Tom, but only because I was a fan of the film and asked if I could; I accepted no payment).

Hollywood has an incredibly distorted view of colleges when compared to the truth. Dorm parties generally aren’t that exciting, but merely crowded room were one can maybe get drunk if the keg doesn’t run out too soon. Nerds don’t manage to steal the football quarterback’s girlfriend. Students are dirty and untidy, and their rooms are minuscule. YELLOW LIGHTS, directed by Kevin Tostado, gets it right, though the campus seems so empty at times that it’s almost Kafka-esque; only one character decorates her room with any flair.

The movie opens with an answering machine message (clunky exposition device, yes, but makes sense in context) to our mopey protagonist Brian (Bennett Chabot) from his girlfriend back home, telling him it’s over and never to call her again. But hey, it isn’t long before he meets Alex (Aja Munsell), a total babe who’s totally into him. In an atypical gender-role-reversal, the only problem here is that Brian wants to jump back into an ironclad commitment immediately, and Alex isn’t sure she’s done sleeping around. Also, Brian gets obsessed with his friend Chris’ love life way too much, determined to make sure he keeps his commitments.

Tostado ultimately seems to come down on the side of commitments being detrimental, or at least obsessions about them – I’m not sure I agree, and even though Alex is a babe, the idea of winning her heart while she’s still determined to maybe sleep with other guys doesn’t seem quite like the prize one would want. But Brian’s not me, and as an audience member I’m rooting for what he wants. The sex scenes may be of the extremely truncated “fade-to-black” PG variety, but they turned me on and I’m not ashamed to admit it, dammit.

A better sound mix is needed – early on, it’s clear that Chabot and Andrew Tsang, who plays Chris, recorded their ADR at different times, even though they’re in the same scene. It’s distracting at first, but eventually I stopped noticing. And Tsang needs to bring it more – in scenes where he’s supposed to be mad, I’m not feeling it like I should. Still, I can’t hold these things against the movie because it rings true in ways that teen movies generally don’t."  --Luke Y. Thompson